Conférence « Et si Dieu existait ? »
Conférence « Et si Dieu existait ? »
jeu., oct. 6, 19:45
Salle académique de l'Université de Liège • Liège
3 € - 12 €
Conférences #3 • Jerome Harris (us) — Hardworking Goodlooking (ph)
par Fig.
Date et heure
Deux conférences pour questionner la pratique du design graphique et se confronter à des projets concrets.
À propos de cet évènement
Jerome Harris
— Conférence en anglais
Jerome Harris is a graphic designer originally from New Haven, Connecticut and currently based in Brooklyn, New York. Harris holds an MFA in Graphic Design from Yale University and a BA from Temple University. Harris is the Design Director of Housing Works, a non-profit organization fighting the HIV/AIDS and homelessness crisis in New York City.
Hardworking Goodlooking
— Conférence en anglais
CLARA BALAGUER (Makati City, Pisces Metal Monkey) is a cultural worker. From 2010 to 2018, she articulated cultural programming with rural and underserved communities in the Philippines through the Office of Culture and Design, a residency space and social practice platform. In 2015, she co-founded Hardworking Goodlooking, a cottage industry publishing hauz interested in horror vacui, thickening research on the post-(or de-) colonial vernacular, collectivizing authorship, and the value of the error. Currently, she coordinates the Social Practices course at Willem de Kooning Academy and teaches Experimental Publishing at Piet Zwart Institute in Rotterdam. Frequently, she operates under collective or individual aliases that intimate her service in a given project, the latest of which is To Be Determined.
TO BE DETERMINED is an undocumented organization that has recently migrated to the Netherlands from the Philippines and other places, assuming a new name and identity. It is curious about models of collectivizing authorship (be it credited, anonymous, or divested), underground railroads (in plain sight) to institutional access, territory constructed between repose and transit (including languages spoken by any inhabitants), and the decolonization of cultural work through the lens of the contemporary (post-colonial) vernacular. It is currently molting or in the process of determining how it must operate within a foreign landscape. But what is clear, at this point in time, is that TBD is (still) comprised of sleeper cells and yet-to-be-determined networks that activate and deactivate in response to external factors: abundance to be distributed, urgencies to be addressed, or leisure to be. When prompted, TBD identifies as a social practice performance."